Liquid Light is glowing ink in black oil. A slow current carries the color, vortices swirl it and the edges shimmer like an oil film. Now and then the picture folds into a mirror or a tiny planet.
The loop above is a silent 13-second excerpt of a 1080p Studio export. In the Studio, where this scene is called Flüssiglicht, it moves to your own track.
How it reacts to your music
- Kicks and bass hits each drop a burst of ink near the center; strong hits can double up, move the focus point or start a vortex, and the whole flow surges outward.
- Hits in the highs, such as hi-hats, claps or sharp synths, throw small, fast sparks of color.
- Loudness sets flow speed, turbulence, vortices, the drift of the colors and the slow rotation; in quiet passages the ink glows longer. The folds into a mirror or planet only happen when the music is loud.
- The mids, where voices sit, count toward that loudness but have no effect of their own.
- Silence is not empty: after four seconds without a bass hit the scene keeps adding ink by itself.
Music that suits it
Dynamic music with distinct kicks and crisp highs: electronic music, hip-hop, trap or pop. The scene levels each band against its own recent peak, so quiet and loud masters both get their bursts. Quiet breaks glow softly, loud choruses fold the picture.
What it does on its own
In its Auto mood the scene changes its look every 18 to 42 seconds by its own schedule; a hard color cut only happens in loud passages. Fixed moods are Neon Noir, Glow, Psychedelic, Milk, Deep Sea, Sunset and Ice-Fire.